music ho
I cannot tell you how happy I am.
I have gone on and on through my blogs about my music ho days, back when I was trailing all over the southeast from St. Louis to ATL to Nashville to The Ham to see so many amazing independent bands, people who knew how to play, how to produce, and were FOR REAL. I’ve watched one or two go from nobodies, who actually knew me by name, to disillusioned acts with immense talent who got screwed by their labels, to big shots who didn’t even know me any more. I’m happy for them. I just feel smug that I know how to pick them.
Five years after having my baby I am finally at a place where I can start touching on that part of my life again. I fell out of the scene — was only able to make it to a few treasured shows over the years, Rush, Driveby Truckers, My Morning Jacket, but not nearly the number of places I wanted to be.
I don’t trust anyone with my baby except my mama, and all my friends have babies of their own, so they don’t take to kindly to keeping mine til two or four am so I can go bring the rock. And as much as I’d like to bring her wtih me to bars, I don’t think that’s allowed.
I believe in starting them young– her Daddy plays screaming guitar, my best girlfriend is a former struggling Queen of Rock and Roll, and music is always present in our house, from Common to Tool to Joni Mitchell to Dan Zanes. But I can’t take her to bars, and we’re not in one of those big cities like Houston that has huge outdoor festivals where you can bring your baby to absorb all that world of goodness.
So… I’ve been sitting it out. But I know it’s here. Or it used to be here, back when I was all over the Southeast following truly heartfelt, original, kick your ass music. All those real musicians, paying their dues, traveling, making no money and doing it for love (and probably for the beer and the chicks, get real, I certainly threw myself at a musician or two, and wish I’d thrown myself at a couple of others but I was too shy or too busy ‘making good choices’), were telling me, yeah, Montgomery actually is the rap capital right now, at least for the true, real, roots rap/hiphop.
And I’m all about the rawk, and the alt. country, but I’m all about true heartfelt rap and hiphop too. I love the sampling and scratching and the truly good spontaneous poetry and realism of the lyrics. PE and Wu Tang always blew me away. Listen, really listen. If you have any sort of literary sensibility at all you can hear it.
And then I got pregnant and didn’t ever get around to checking it out.
I LOVE music. It is not about genre. I have everything in my collection from Wu Tang and PE to The Smiths to the Meat Puppets to System of a Down to Swingshot.
It is about the music, the art, the lyrics, the feelings, the connections, the shared experiences played out in the music, and the people. Music transforms us. Someone puts their heart and soul, the harsh and the triumphant, out there through creative expression. A good rap IS fucking poetry.
And then I went to work where I work and the kids are all about this. They sit for hours and look at videos online. They have big dreams– can you tell me how to copyright my song? So I responded, because these are three things that matter so much to me– libraries actually serving people’s actual needs/interests, music, and kids.
I had the privilege tonight of meeting Queazy and Li’l Chappy. They generously gave me their CD’s which I already love and will enjoy more than I’ve enjoyed anything since my last Wu Tang purchase. They are also *fine*. And Lil Chappy whipped out his LIBRARY CARD! That was like the biggest thrill of the evening.
I’ve listened to the hip hop stations around town, and heard things I like, but wondered how to cross over from big radio (cumulus) to the real thing. I know it’s here but I don’t know where.
Thanks to Queazy’s and Li’l Chappy’s generous donation of their time and thought and energy at the program tonight… maybe a few young people got some ideas. Maybe the kids will come to the library and let me teach them to blog and podcast and get them started creating their own work through audacity or acid.
And maybe I can crawl back to music, in what time I have left after working and loving my little girl, and maybe music will take me back.
superconnected
My other mania was making brightly colored tissue roses. I couldn’t stop for days after shaky baby’s party. I was working out the trauma of all the crafts we didn’t do at her party because I was so disorganized. But somehow shutup or I’ll stack you, accordion pleat you, wrap you with a chenille pipe cleaner, and fluff you doesn’t sound as funny as shutup or I’ll frost you.
“when you’re finished with the mop then you can stop
and look at what you’ve done the plateau’s clean,
no dirt to be seen and the work it took was fun
well the many hands began to scan around for the next
plateau some said it was greenland some said
mexico others decided it was nowhere except for
where they stood but those were all just guesses,
wouldn’t help you if they could”
Meat Puppets Plateau
I rediscovered the Meat Puppets because I was trying to explain to my husband that he looks like Curt Kirkwood when he just lets his hair get all long and raggy and goes unshaved. He really does, too. Kinda.
Staring at photos of longhaired, five o’clock shadowed Curt Kirkwood, preferably in a pink gingham dress, was my greatest comfort during a particularly uhappy moment in my romantic life twelve or so years ago. And at almost fifty he’s still pretty damn delicious. And he’s in Austin, where all good rockers go when they die (oh or Nashville, not sure which is better, Austin by a hair, though Steely Dan had been working out of Nashville for a while, and Bon Jovi’s there now right???). And lo and behold! They just put out a new album! And Curt is spewing his abrasive, probably aspbergers, nobody’s going to impose their agenda on me language– yum.
Anyway.
Top down is just not me.
For a long time I’ve been trying to get on top of my life by doing the Flylady thing– flylady.net, you know. I have tried so hard to impose easy, one-size-fits-all, brief, doable routines on my life that could be accomplished in a small amount of work each day, as opposed to either major disgusting house or major housework misery all day on a weekend day, which I just refuse to do, routines which would make it all come together with a minimum of misery, angst and resentment.
Don’t get me wrong– it has helped. A lot. I throw away a lot of crap, and then I no longer have to organize, put away, or dust it. I try to go by the handle everything once rule- go ahead and decide if it’s junk mail or important and file it, whether in the circular file or the important file, right away instead of having to touch it once when I get it out of the mail box and again weeks later when I finally get around to organizing the mail pile. I keep certain surfaces clear or easy to clear so that they can be easily and quickly disinfected often so I don’t have to get out the flamethrower because I haven’t cleaned them since last year. My house is in much better shape (at least I think it is???) than it was before Flylady.
But as a general rule, no matter how well it works, no matter how much sense it makes, top down is just not me.
There was a study in the late 70’s-early 80’s about programming styles of boys and girls using logo. In a nutshell, probably the nutshell of warped memory because I haven’t looked at the thing in twelve years, the study differentiated boys and girls like so. The boys decided what they wanted to do and then attempted to cram the reality of the programming language into the desired result– top down. The girls looked at the reality of the programming language and used that as a jumping off point to create from there– bottom up.
I see this in my life every day. Husbands relax after work (imposing desired result, regardless of reality all around them) while wives bust their asses, becoming resentful and too tired for sex, parenting, housecleaning, working full time (embracing external reality and starting at the bottom). As my brother says, men just don’t have that take on too much gene.
Managers strive to bring together reality and top down desired result, attempting to encapsulate and convey the desired outcome to staff, who relax and don’t concern themselves with the desired outcome because they aren’t paid to and they just want to deal with their own little fiefdom. My best friend’s husband keeps putting glass in the city recycle bin because it makes no sense to him that they don’t recycle glass. I don’t guess I’ll ever be a process engineer or computer programmer, but my husband can’t build a fire for shit or string a kite that will actually fly. I can, as I demonstrated beautifully on cold, clear, windy Easter night after his kite kept diving earthward and his knots popped off.
When I load the dishwasher the dishes almost always come out sparkling. My husband loads the dishwasher chock full, even though when he does that half the dishes come out dirty. He says, I refuse to be held hostage by my dishwasher.
Held hostage by your dishwasher?
How about tuned in to reality so that you can be effective, so that your kite will fly and your fire will burn?
Is my friend’s husband’s stubborn refusal to embrace the recycling reality a stupid refusal to see reality, or a thoughtful protest? I mean, it is truly wrong that our city does not recycle glass. I get that.
Some see at what is and ask why. Others see what isn’t and ask why not?
Or something.
This is a very, very basic difference. It would be unproductive to say one approach is better than the other. Even if bottom up is better (and I believe, know, that it is), never, ever the twain shall meet. I can knock my head against my husband’s reality all day long but it will only piss us both off– me because he isn’t doing it ’right’ and him because I am helping him and that pisses dudes off.
Sometimes top down is even useful. I find that at work, dealing with the folks I supervise, top down is sometimes needed or else anarchy will prevail. Anarchy isn’t such a bad thing… unless it is accompanied by people forgetting why we’re there and failing/just not bothering to serve the folks whose tax dollars pay our salaries. So, sometimes I do have to go all top down on ’em.
But at home…
It just came over me Monday when I was off and home alone.
This constant attempt to impose routine, and the consequent unhappiness because I can’t/don’t want to do it and so my life is still in disorder because I failed to tick off the items on my to do list, isn’t helping. It just isn’t.
I’m knocking my head against some basic realities.
I’m struggling to find the right simile or metaphor for this. I haven’t yet, sorry.
These realities are just not going anywhere. We have so much time and so much money. We have certain needs– food, sleep, shelter, transportation, paycheck, emotional and physical and social comforts. My husband sees things a certain way. All of these are realities I can knock my forehead against until it bleeds. I stretch and stretch, trying to manage both ends. At the front end I impose a top down strategy involving lots of proactive things like buying in bulk and routine– and still find myself stuck on the other end, out of money and out of energy, with needs unmet.
I can make running up the slide a way of life if I want to. And I have.
The endless to do list, the daily and weekly attempts to finally game the system, hit the sweet spot, make routine work for me, just wear me out and make me feel like a failure.
So it came to me Monday to try something different.
How about just being where I am and paying tender attention to that particular thing? How about setting down all the balls I am just barely managing to juggle — work, home, my own mental and physical health, parenting, marriage– and giving whatever single thing I am doing my full attention.
Instead of doing fifteen minutes in each room in the house, changing rooms each time the timer goes off, how about cleaning the kitchen for a while, as long as I want, and then going into my room and cleaning there as long as I want?
How about going to bed when I’m tired?
How about being off ADD meds which help me be supermom and just being scattered me for a while?
I gave this a shot Monday. I felt like I was in some kind of superconnected state. I say this because healing school work is the only thing I can compare it to. I was flowing through my day, and it was sweet. It made me nervous, like the first time without training wheels or water wings… but I am convinced of the essential rightness of it.
Those realities were still there… I could stop any time I wanted and try to claw my way up the flinty perpendicular bank of that flow– not enough time, not enough money, day slipping by, have to go back to work tomorrow, must be proactive, must impose routine, must go work on my budget and short and long range forecasts and plans, must accomplish this and this and this in order to create this outcome, must convince husband to save time and aggravation by finally succumbing to the reality of our dishwasher, or our dogs or child or… but why?
I might even make some progress scrambling up the bank. But all those loose ends would still be waving sweetly at me in the breeze– my failure at top down, my reality at bottom up… scrambling up the bank would probably just make my fingers bleed.
I thought, you know, this shit is all going to be there. Why don’t I just do what I want to do right now, and later I’ll probably want to do something else, and it will all get done, or it will still be there.
I didn’t check email. I didn’t budget. I didn’t create a list or calendar of things that must be done on or by certain days in order for my life to work out. I was just … there. I did some dishes. I folded some laundry. I did some writing. I printed some photos. I did some reading. I ate. I just was.
I’m not describing it very well. It really was a moment of zen, though. I haven’t had one this big since I read Haruki Murakami’s Windup Bird Chronicle. Not that I can remember anyway. It’s so funny how a truly useful paradigm shift just sneaks up on you slowly and silently.
One more listen to Plateau… who needs action when you’ve got words?
Good night!
blog is just an excuse
to listen to my morning jacket and Nelly Furtado’s Say It Right remix online. It’s not the content, although that’s pretty cool– but it’s not where I am right now. It’s purely the sound. Once in a while there’s some good solid pop. Come on. You know nelly way beats J Lo. Not that I have anything against J Lo, just that, well, this is yummy. Good solid if I could only dance gracefully and athletically in a flowing costume on an endless beach music.
My computer is now in my little upstairs cubby. I don’t get to just drop and blog whenever I want to now. the littlest thing– looking up a recipe– is an ordeal. Much less blogging.
Note to self, do not smoke in upstairs cubby. Nasty. I envision this both as a cozy, slightly decadent library, and as a soothing space of light and air… it ain’t gonna be that way. Not with smoking anyway.
I have been enjoying my time out of the poky so much, that I stay up too late each night. Then I still have to get up in the AM– even if my husband didn’t wake me as he got ready for work (hell he wakes me if he even so much as breathes, most of the time) I have to take the kids to school. Cause that’s, you know, my new job. So, not tonight. Sleep!
I have healing school this weekend. I need it, because as happy as I am I am kind of in please let me dissociate mode. I need to get solid and face– whatever. It’s hard to come back to earth when I am so f***ing happy to be out of that job!
I went to the local art museum’s kid space today with my friends from the mom’s group, because I could. That is a beautiful facility by the way, just amazing. A new member was there. We knew each other by email and that was it. I stepped up and introduced myself, feeling like a little kid as I do in such gradeschoolish situations, and she fixed me with her blue eyes and said in her sweet even voice, ‘it’s you. and you’re here.’ It hit me like a benediction. Good impression of that one’s energy for sure. Although since I’ve learned about projection I often wonder if the loving and luminous qualities I perceive in my friends are really just a combination of my own gaping neediness and loving and luminous qualities. You know what I think about that? Some of each. The luminosity in me, so to speak, salutes the luminosity in you.
And M said, and in the middle of the day, for pete’s sake! Or something to that effect. What a nice morning. What a nice day! I mostly spun my wheels on the blessing way, and on the rest of my life, but… it will be okay. The girls will show up. We’ll have a wonderful time. That will be that. Having the house ‘just so’ is kind of a waste of energy and time. What’s that bit in the strategic and tactical manual, or is it the Art of War, about planned vs. unplanned diversions? Planning a diversion wastes valuable time and resources, so it is up to the commander to make use of unplanned diversions at all time.
So… farewell to planning for now. I’ll see you’uns on the flip side.
let’s kick this off right
Christmas in Prison by John Prine
The entire John Prine Christmas cd
Santa Claus is a Fat B* by ICP
Ave Maria by Chris Cornell
George Winston’s December
Merengue Navideno
Frank Sinatra at Christmas
I can’t find my damn Roches We Three Kings, and I ordered another copy but I accidentally shipped it to my grandmother– stupid amazon! Oh well. Maybe she’ll like it.
What else? I have free shipping with amazon for like two or three more days before I have to cancel to keep from getting charged.
woods! wood!
Of all the trees that are in the wood– woods! Mom, it’s WOODS!
I’ve been trying to teach shaky baby The Holly and the Ivy. I mean, she has a fantastic grasp of every song they do at her school– she was singing ‘days in the week’ to the tune of the Addams Family theme the other day. I thought that was pretty dang good for three. But why not ratchet it up?
Next will be For Unto Us a Child Is Born, eh? I have those two songs on my Christmas album by the Roches. I hope it still resides in my boxes of Christmas stuff. Now that I am finally home, my head and heart are full of all the usual Christmas doings. I don’t know how many I’ll manage, between being broke til I get my reimbursements for the travel, and just working full time. But I’m ready.
I may need to do a modified flylady to get it all done, because I am allergic to having much left to do, except drink and snuggle when the kids are in bed, the night before. Oh, and here’s the thing. The night before, for us, will probably fall somewhere around the fifteenth, because we have the stepkids the ten days before Christmas this year. How we’re going to get bunk beds built before (four b words!) then I don’t know.
Shaky baby bulldozed over her daddy– that is, he sat down at the computer and she instantly commanded him to help her– ‘I’ll go get the games!’ — with her little computer reading program. She loves it. I am so proud of her, and so proud of him for spending some time together (I know I know, who gives a guy an award for spending time with his kid these days, but it’s just so different from what I grew up with). Earlier this weekend they also worked on a big puzzle with lots and lots of smallish pieces together. Very cool.
my next stop
Did I tell you I have tickets to the My Morning Jacket show Nov. 13 in Nashville at the Ryman? I’ll be there for a workshop anyway so it doesn’t even have to involve missing work or road tripping.
This is just toooo sweet.
Now if I could manage for our rock-n-roll lifestyle to let us catch them on their home turf in Louisville, with a hotel room at the Brown for after… It would certainly allow us to see my brother and sister-in-law and nephew again…
Maybe if the Ryman show is awesome I’ll beg.
But if we do the MMJ show in L’ville, which we can’t afford, that means we maybe can’t afford the DBT show in B’ham, which we probably couldn’t afford anyway, the 25… sigh.
damned if I wouldn’t go to church on sundy
So when we got to the show, shivering in the delicious October chill of Louisville, slightly warm from a couple of glasses at dinner at the wonderful, wonderful Indian restaurant we always go to up there, some guy recognized my husband’s ancient Southern Rock Opera t-shirt. He was probably drunk (the dude, not my husband), but he made a big deal out of it and I felt like visiting royalty. We were at the ‘world premiere’ at the Nick lo these many years ago.
While the DBT’s were playing World of Hurt I took a tearful minute to scribble in the notebook I keep in my purse. It’s barely legible, but it says, in effect, the DBTs run over you like honey and it’s an effort just to breathe even though you know it doesn’t have to be that way. There was other scribbling as well… but I’m still talking to myself about that.
That show was one of the most precious experiences I’ve had in a while.
I finally had time to revisit it– inspired by listening to Sinkhole in the car this afternoon. I remembered with a happy jolt that they played it in the show. “Bury his body in the old sinkhole, bury his body in the old sink hole…” Delicious!
I also scribbled the names of the songs they played that meant lots to me– Uncle Frank, Outfit, Ronnie and Neil, Whiskey without Women, Gravity’s Gone, Shutup and Get on the Plane (companion to Angels and Fuselage).
Gravity’s Gone is a work of genius. “I’ll meet you at the bottom if there really is one, they always told me when you hit it you’ll know it/But I’ve been falling so long it feels like gravity’s gone and I’m just floatin.” While the angels were evidently protecting me when I was at my stupidest, and I’m far from dissipated now — that is, far from as dissipated as I wish I were, I love the feel and tone of that song. I have so been there.
Likewise Women Without Whiskey– granted I’m a girl, but I can’t tell you how sweetly and sadly the words ‘Tell me how to tell when I’ve had enough’ resonate for me.
In their songs there are always many layers– first the actual story– murder, suicide, jilting, drinking, drugging, dying, loving, losing, hurting– , then the emotions and the sometimes slightly cheesy lyrics, then the great fun or the huge negative pleasure or even delicious rage– and then rippling underneath, inaudible but solid and real, this drone or emotional subtext that seems to say, yep, this is life– amongst the screamin’ guitars [and Mike Cooley and Jason Isbell are really, really, really good], the buddha smiles. I think that sweet, transcending observation and acceptance, amongst all the rococo, gothic, tawdry, backerds, throwback, inbred, torrid, drama, not to mention true love and loss, is actually the true essence of The Southern Thing.
and there was rock
I have to go on to work, unfortunately. I want to blog endlessly about my weekend, and probably will, but for now here’s what I can rattle down in just a few minutes.
That concert was just beautiful. Sitting in an old opera house style theatre in plush fold down seats was different, yes it was, from standing in The Nick a foot or so away from the amps and two feet from the musicians, surrounded by cigarette smoke thick enough to cut with a knife.
But the hard luck songs were still as beautiful as ever, and I believe their lyrics are richer than ever too. They did a very, very tight set of both old and new, and they started off and ended up with many of my favorites, including Uncle Frank and Let There Be Rock, which closed the set before the encore.
They ended the encore with Angels and Fuselage, and I bawled outright. Boo hooed. I know it was loud in there, but I still hope nobody heard. Everyone else was standing up after the standing ovation, but I just plunked down as soon as the opening note sounded, thinking, here it comes. When it was over, and the lights came up, I looked at my wonderful sister in law and her face was red and teary just like mine. And she, our designated driver, wasn’t even drinking! Suddenly I felt a lot less like a loser.
I’ve been thinking a lot about death, both in real terms and as a metaphor for transition and how we deal with grief. I don’t know whether I’m disgusted these guys for being drama queens and making a song out of that situation, or grateful to them for being willing to go there. Certainly one of the reasons I love them so much is their willingness to go there in all sorts of symbolic and archetypal situations, no matter how cheeseball or cliche’d– because such is our lives, most of the time, right?
They traded their old encore song, ‘This is for the people who died, died,’ for Van Halen’s Ain’t Talking Bout Love’ which was also a very, very gratifying memory from middle school.
Well to close this brief edition of Let There Be Rock the shaky egg post, I’ll say that on the way home from L’ville Sunday I was thinking about how could I turn my thoughts about death around from fear and dread, to genuine inquiry. It’s inevitable, and it’s a transition, and I know it sounds morbid, but it’s one of the key things we have to face in our life– our own, and the loss of loved ones, and sacred dying is a key precept for my healing school as well– not that it’s something to be desired and pursued, just that it happens, and can be handled with communication and love and dignity. So that’s one of my vision quests for the next year. Who knew the DBT’s in all their trashy glory would be helping me with this?
More anon.
let there be rock
I am not sure if I posted about this already but I’m off to Louisville to see Alabama’s Own Drive By Truckers with my beloved brother and sister in law, as a celebration of their anniversary, my birthday, and the fifth anniversary of my husband asking me to go with him. Like true rock and rollers, we flew my mother in for child care because we can’t trust our babies with just anybody while we’re out raising hell. I absolutely cannot wait.
We knew them when. I/we have followed them all over the South, from Knoxville to Houston to Atlanta to Birmingham. Patterson Hood kissed me on the lips once. We saw the world premiere of the Southern Rock Opera. My child saw them twice from the comfort of my (unwed) uterus.
Now they’re playing, best I can tell, in a sit down ‘theatre’. We’ll see how that compares to the concrete, beer and cigarette butt soaked floor of the Nick, where we could stand as close to the amps as we wanted and headbang til our ears bled (not really. It just sounds good. To me, anyway). I better go get some corduroy pants and equestrian slip on boots and a tweed jacket, since it sounds like the kind of place where tight levi’s and a tight black babydoll t-shirt with the Southern Rock Opera owl on it might not be quite the thing, no matter how much they represent my personal high school experience.
I don’t have time to truly opine right now, so I’ll just paste this in from their website:
Drive-By Truckers
“You hear about “the greatest band in the world” being dropped on many a group, desperately given this medal in hopes they’ll use it to “save rock-n-roll,” whatever that means. But no band that has had to suffer under this artificial responsibility has succeeded so triumphantly as Drive-By Truckers. Equal parts back porch historians, runaway drunken firecrackers, and poets of the hard life and how to live it; they came on the scene and set the bar higher for what you can do with the music we love. The characters in their songs have left gals at the altar, wrecked their cars, woken up on the cold floor and even killed themselves a number of times over the years, breathing some new intelligent life, not just into rock music but, into rockers everywhere. Many a critic, including myself, have placed upon them the treacherous mantle of being The Best Rock Band In The World, and they wear this title like the blessing and the curse it is…I love this band.
Their three front men/guitarists/songwriters: Patterson Hood, long time running partner Mike Cooley and guitar wizard Jason Isbell, make for a triumvirate that would crumble a lesser band. Hood explains, “We are all very close, in a family kind of way, albeit a sometimes dysfunctional one. We fight, sometimes very hard, but couldn’t continue with such strong opinions and personalities without a huge degree of mutual respect for each other personally and artistically.” In a live setting, that respect takes shape as intricate, driving interlocking hard guitar rock, nimble as a ballet dancer with too much Jack Daniels in her, and with the emotional impact of Walker Percy slamming into you with an out of control stock car. But all hyperbole aside, they avoid the trap of caricature in their songs, instead building their poetry out of the sweetest and harshest thing available in this world – love and the pain that comes with it.
DBT’s 7th album, A Blessing and a Curse, takes in all the elements that make them great and condenses them into the tightest, hardest rocking set of songs they’ve yet to produce. Their influences in the past have been immortalized in song, but here we see them integrated into the songs. The opening track “Feb 14” sounds like the best, most poetic song the Replacements never released and Cooley’s devastatingly great rocker “Gravity’s Gone” does the same thing with a Creedence Clearwater Revival backwoods twang. Isbell chimes in with “Easy on Yourself” a subtler yet more biting warning fable in the vein of 2003’s “Outfit.” And just when you think that these former class clowns have moved on to the honor society, they kick in with the hilarious “Aftermath USA” – as good a train-wreck, surmise-the-damage classic as anything from Waylon or Merle.
Everything on this album is a notch sharper, a logical progression from 2004’s neutron bomb of a record The Dirty South, pushing beyond singing about the South to universal themes of love and pain and determination with more drive and more passion than they have ever displayed before. Isbell opens his throat and delivers some vocals so soaring, so potent on the chorus of “Daylight” that they give me chills every single time. “Wednesday” weaves a dense elliptical tale about a man losing a woman, and maybe dying, maybe not even existing. “Goodbye” has the warm glow of a candle, illuminating those moments when things work in this life and when they fall apart. It’s beautiful stuff – deeper, warmer, and more real than anything else you might find out there.
But the real push forward on this record can be found in its heaviest songs. The 10,000-pound subject matter of an infant cousin dying before you were born, and how that presence persists, makes “Little Bonnie” possibly the most poignant song they’ve ever put to tape. The final track, “A World of Hurt,” offers a sermon against suicide (a recurrent theme in their songs) but Hood explains it’s much bigger than that: “Suicide is only one part. The song is really about learning how to live, or at least striving to learn how to live. To love is to open your heart up to unbearable pain, but what good is life without it?” In “Space City,” Cooley offers a bittersweet tale about his grandfather following his grandmother’s death and how one learns to make it through the intangible and the unflinching realities of life. Hood remarked, “Its ruminations on love and loss, to me reveal the true nature and theme of the album, to love IS to feel pain. A blessing and a curse.”
It is fitting that the final words on the album are “It’s great to be alive”. The songs on this record illustrate the triumphant struggle it is to survive and thrive in this world. It’s not only a great record, but an important statement delivered honestly and passionately without any sugar coating or details spared. It’s a refinement, a honing, and a focusing of what you’ve always loved about them, what makes this band the greatest band in the world.”
- Alex V. Cook
must I paint you a pitcher?
I couldn’t find Billy Bragg performing that song on youtube, so I’ll just send you here. It was on the same album, Workers’ Playtime, the one that came out when I first started loving BB.
It’s the hazard of having a redneck mommy– or maybe it’s a natural mistake no matter how well spoken the parents are.
This morning as I carried shaky baby to the kitchen for her cheerios, whispering and giggling, she whispered, yeah, and I want a picture.
A picture?
Yeah, a picture.
Okay, a picture.
I just went on, because I hate for her to know I don’t know what she’s trying to say. But when her dad was about to pour the milk for her, I realized that what she really wanted was a *pitcher*. I guess she was compensating for the fact that I don’t distinguish, when I speak, between a pitcher that you look at and pitcher from which you pour your milk on your morning cereal. I give her a little pitcher of milk each morning to pour her own milk, Montessori style. It’s one of those small things I try to do to make her feel good– although I guess that one small thing probably doesn’t compensate for the ninety nine other times I get angry at her through the for being a Montessori kid.
I spent several years in East Tennessee, as a high school student and later as a community mental health case manager for severely and persistently mentally ill Appalachian people. I developed a love of that language that I can’t seem to shake, and it breaks my heart to hear it spoken, when I hear it so rarely, actually never, any more, unless I’m talking with my mom and we’re reminiscing. Maybe in my travels for work I’ll get to hear it again, but I hear that population is much different than, say, East Tennessee or Appalachian Virginia (the accent in the rural areas around Charlottesville is indecipherable, even to me).
I also say ‘hunnerd’ instead of hundred. I pronounce insurance INsur’nce and TV TEEvee. It’s a glove box not a glove compartment (who in hell puts gloves in it anyway, box or compartment?). I use the word reckon in conversation, I ‘figger’ or ‘figgered,’ and ‘it ain’t fittin’ came up in conversation with my mom this weekend (my husband was carrying my purse and she felt bad for him and took it from him), and that usage makes so much sense to me that the phrase has a meaning of its own in my mind, independent of its origin in the word ‘fitting.’ I used to use the phrase ‘of a day’ when talking about someone’s daily routine or habits, and I love to use ‘dreckly’ as in, ‘I’ll get to that dreckly.’
When people are acting particularly badly or strangely I call it ‘et up’ or maybe I’ll call it ‘ate up’ if I’m in Western Kentucky mode. [My mother taught me the bonus phrase-- EWDA- Etup With Dumb Ass.] I say ‘might could’ and I don’t even know the proper English for that– could possibly, I guess– and ‘used to could’. I love on babies and ask them for sugars and love people to death and no matter how stupid and self destructive someone is I can always find it in myself to say (after cataloging their sins and stupidities at great and amusing length) ‘but he’s a good person’. Back in the day I even found myself slipping into calling a driver’s license a plural– yes I got ‘em.
There are countless others that I am not aware of until it comes up and I feel that little jangle when I realize I’m not talking like everyone else. I felt a bit uncomfortable when something slipped out while my eminently yankee father was here– he’s very northern, in spite of dragging us all over Sam Hill to live places like East Tennessee and dusty rural Texas during our childhoods, and he’s very prejudiced toward the softer styles of speech he hears down heah. (I don’t know what in hell he expected– that we would live in our little better-than bubble and come out unchanged? He’s the one who collected the Foxfire books, the dang yankee dogooder liberal folkie!) I was a bit embarassed when, in the middle of the Fresh Market the other day, I realized I had just told shaky baby, very loudly, to ‘talk nice [tawlk nahs ]‘.
I think it’s kinda cool, for me, possibly because I (mostly) have a choice in how I speak (at least I think I do) when it’s really important to ‘talk proper’ but I don’t want my kid to be labeled. She’s already getting a little accent. I’d rather she make her own linguistic choices when she’s a bit older, once good speech patterns are well learned, so that she can go back and forth without slipping like her old mother. And my fascination with ‘other’ speaks, I’m afraid, of a basic lack of self, not to mention creates an unbecoming reverse racism or fascination with oppressed people, who would certainly tell me in a heartbeat that it just ain’t all that great. Oh well. So be it. And when can we go to China so that she can become bilingual and have her own fascination with ‘other’ because her liberal dogooding mother drags her all over Sam Hill?
